กำเน ดสยามจากแผนท ประว ต ศาสตร ภ ม กายาของชาต

กำเนิดสยามจากแผนที่ :ประวัติศาสตร์ภูมิกายาของชาติ = Siam mapped :a history of the geo-body of a nation /ผู้เขียน ธงชัยวินิจจะกูล ; คณะผู้แปล พวงทอง ภวัครพันธุ์, ไอดา อรุณวงศ์, พงษ์เลิศพงษ์วนานต์.

กำเน ดสยามจากแผนท ประว ต ศาสตร ภ ม กายาของชาต

Call No. : DS563.9 ธ22 Author : ธงชัย วินิจจะกูล. Publisher : กรุงเทพฯ :คบไฟ :อ่าน,2556. Published : - Category : - Page : (19), 336 หน้า : ภาพประกอบ (ภาพสีบางภาพ), แผนที่ Language : tha Link : -

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กำเนิดสยามจากแผนที่ : ประวัติศาสตร์ภูมิกายาของชาติ = Siam mapped :a history of the geo-body of a nation / ผู้เขียน ธงชัยวินิจจะกูล ; คณะผู้แปล พวงทอง ภวัครพันธุ์, ไอดา อรุณวงศ์, พงษ์เลิศพงษ์วนานต์

กำเนิดสยามจากแผนที่ : ประวัติศาสตร์ภูมิกายาของชาติ / ธงชัย วินิจจะกูลเขียน ; พวงทอง ภวัครพันธุ์, ไอดา อรุณวงศ์, พงษ์เลิศ พงษ์วนานต์ แปล. Authorธงชัย วินิจจะกูล Publicationกรุงเทพฯ : สำนักพิมพ์อ่าน , 2556 Detail336 หน้า : ภาพประกอบ, แผนที่ ; 24 ซม Subject

อำนาจอธิปไตย.(+)

ไทย ภูมิศาสตร์เชิงประวัติ แผนที่.(+)

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The objective of this thesis is to provide the transliteration and the translation of the chapter relating to the concepts of the planets, Daśās and the physiognomy of Bṛhatpārāśara-horāśāstra from Sanskrit into Thai, and to explore and compare these concepts as stated in Bṛhatpārāśara-horāśāstra with Thai Brahmajāti popular edition. The result of this study reveals that it is possible that Brahmajāti could be influenced by Indian thoughts due to the fact that the astrological concepts resemble Bṛhatpārāśara-horāśāstra, especially the concepts of the planets and Daśās. As for the concepts of the planets, their names in Brahmajāti have derived from Pali and Sanskrit which share the same etymology with the planets’ names in Bṛhatpārāśara-horāśāstra in terms of the meaning of the origin, the character and the position. Nevertheless, it is worth noted that according to Brahmajāti, the planets are created by lord Īśvara. The characters and the relationships of the planets in Bṛhatpārāśara-horāśāstra and Brahmajāti illustrates some differences. Still, the essential dignities of the planets such as rulership, exaltation and debilitation are similar. Concerning the conpets of Daśā, Brahmajāti calls out Daśā as “Thaksa” and Mahathaksa is also similar to the Aṣṭottarīdaśā in Bṛhatpārāśara-horāśāstra including the total age of 108 years, the age of the planets and the calculation of the span of the planet’s Daśā and the planet’s Antardaśā. Only the calculation of the first planet’s Daśā is different. In fact, Bṛhatpārāśara-horāśāstra is more concerned by the period of the moon in natal nakṣatra whereas Brahmajāti is concerned by the native’s lord of birthday. Bṛhatpārāśara-horāśāstra and Brahmajāti both calculate the span of the planets in Daśā system by cross-multiplication. However, the prediction in Bṛhatpārāśara-horāśāstra considers the planets’ essential dignities. It is interesting to indicate that most of the predictive texts are different. For the concept of the physiognomy, the predictions based on the effects of the characteristic features of various body parts as well as the effects of marks in Bṛhatpārāśara-horāśāstra apply specifically to women even though the last śloka of chapter 81 and some predictive texts in chapter 82 indicate that this can also be applied to men. However, the physiognomy in Brahmajāti predictions are applied to both women and men. The auspicious-inauspicious effects of the physiognomy of both scriptures are similar whereas the predictive texts are mostly different.

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Musical composition “String Orchestra and Flute” composed to celebrate the Korea-Thailand sixtieth anniversary of the diplomatic relations. The composition conveys different cultural aspects of the two countries. Compositional materials are based on Thai rhythmic pattern, Thai melody—Kangkaw Kin Kluay—and Korean musical modes, especially P’yŏngjo, Kyemyŏnjo, and Oeumgae (Five Notes System). The main motive is a collection of E, F, and A or set of (015) derived from 60th anniversary. This neotonal composition comprised motivic development, variation in fragmentation, and quartal/quintal chord.

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